I’ve never known what to say about this mall. I’ve tried to describe it years past and failed because it’s such an odd little corner.
Right now, I am sitting in the Café Nova Interchange (‘making connections!’) off the entrance to the brutalist concrete railway station, one of the Colombian places open on the upper level. Muzak overpowering everything else, the little wooden tables mostly empty, good espresso coffee served in little Styrofoam cups. Down the mezzazine is another Columbian café with outside tables and a combination café/ store where you can buy fresh coffee beans, Colombian cokes, cold empanadas. Latin music, all syncopated bass and wailing voices has just erupted from the stall or the Bodequita Restaurant with the big glass windows and the great, if pricy, food at the end of the mall, competing with the Muzak.
Even though most of the shopfronts are full, this level never quite loses the abandoned air that it had twenty years ago – you feel like you are on the top level of a not very busy airport (those 60’s spaces seem to work better without people anyway). When I first came here in the 1980’s, the mall seemed both strangely familiar and totally alien. A North American style mall but with all these ugly shops – the totally depressing diner with the big glass windows and hard plastic chairs and old men having chips and eggs and beans at three in the afternoon. The massive roundabout outside, interconnected by dark concrete tunnels with that inexplicable cube in the middle, surrounded by yellowing grass and marooned amidst the traffic like the remnant of some lost civilization. The concrete – concrete tunnels, concrete rampway connecting the mall to the even more alien world of the estate. The lobby of the Hannibal House office tower which rises from the top of the shopping centre like some misshapen grey head, looked musty and decrepit, as if the offices above had already been abandoned. It was hard to imagine that any work actually took place up there.
By the time I’d come back in 91, they’d painted the outside of the mall pink in hopes of cheering everyone up. I took my new Canadian girlfriend round to see it once and she said she’d never seen anywhere more depressing.
The Latinos have cheered things up considerably, as has the market in the concrete hollows runs in a big L around the ground floor. No mean feat, since that concrete space, inevitably dingy and dark, overwhelmed by the traffic noise just above and only one step removed from the black holes that mark the tunnel entrances, is even grimmer than the mall. But in the evenings it is full of people coming home, buoyed the forcefield intensity of some sort of dub. The vegetable guys by the front entrance, south Asians of some sort, say ‘what you want tonight buddy’ and chat a bit when you stop by, and in the cold and the yellow light you feel a sort of camaraderie with all these disparate folk crossing paths in this strange place before disappearing into the tunnels or onto one of the dozens of busses that swirl round the roundabout, or out into the back where the big estate is all lit up like a freighter behind the mall.
I wonder how much longer this mall will last. You can’t do much to change it’s basic dinginess (Muzak, fluorescent lights that make your eyes ache if you stay under them for too long), pink and neon green pillars and the diner with the plastic seats and 1973 menu), but it has, if not charm, then a uniqueness. Two good used bookstores downstairs – the kind of stores that can no longer survive in central London. The aforementioned Latinos. The Chinese herbalist advertising cures for ‘man problems’. Maybe if they got rid of the Muzak, it wouldn’t be a bad place. I’ve heard that the Bingo Palace upstairs has recently renovated – but the mall looks like it’s on the way out. The white siding over the pink is peeling in long strips outside, exposing the tired silver paneling, and the concrete ramps are cracked and dirty. Like the estate, it looks tired, as if it is just waiting for the wrecking ball to move in.